Coen Brothers

..but what does it all mean?

Posted on:  June 28, 2010


The book is finished (for now) so I finally have a chance to catch up on some films I missed, starting with A Serious Man written and directed by Joel and Ethan Coen. I often rave about their work here on this blog because whether you agree with their point of view or not, their films are studies in character, setting and story telling.

As I’ve said before, their films are pseudo-cartoons inhabited by people that are not only real but hyper real, all seamlessly blended in a melting pot of genres.

On the surface, A Serious Man is about a slice of American Judiaca. Set in 1967, it’s about a series of life altering events that befall an urbane college professor which all culminate around his son’s Bar-Mitzvah. But save all the jewish tradition and culture and one still gets to the big question of the film: What is life really about? It’s as philosophical and basic as you can get.

As with any Coen Brothers film, the characters a superbly constructed and developed. Their characterizations are entertaining and amusing and most of all, the storytelling is unbridled and profound. Visually, Roger Deakins shows us once again why he is one of the modern masters of composition and lighting.

The meaning of life is what we individually derive from it. We either answer our own questions or we dont. We make choices based on the limits of our conscience and from what we know is true. The rest is pretty much out of our control.

A Fine Weave

Posted on:  October 7, 2008


Very few in Hollywood can write and shoot enigmatic films like Joel and Ethan Coen. Each of their films are a unique journey in every sense. Story, setting, production design and especially character.

Their films have the feel of stage plays where characters are real but in a novel sense. It’s as if they create worlds and characters that exist in a bubble so the audience gets enough detachment to reflect from. The Coen brothers are also quite adept at blending genres and their conventions just enough to make things interesting, but not overbearing. They’re neither dramas, comedies, musicals or farce perhaps because reality is not that cut and dried.

Just like in Fargo, the characters in Burn After Reading are funny, flawed, dark and unsettling not just because they are overtly quirky but because they could easily be you or me. No one is who they say they are and things are never what they seem. The Coen Brothers took those notions and wrote a memorable screenplay ripe of satire, darkness and humor.

What seemingly are mundane events are innocently complicated by individual agendas.  It all starts with the discovery of a rather innocuous CD of personal data, add a little innuendo and a dash of human frailty and watch what people can do.  (This includes the rather secret device George Clooney’s character builds in the basement)

In the end, everyone gets what they either need or want. Except it may not be ultimately what they where looking for.  It all sounds too familiar don’t you think?